Redd Becker Book Review
Many of you are familiar with Louise Penny’s Québécois inspector, Armand Gamache. A character full of warmth, compassion and, always necessary for a great inspector, an ingenious perspective. When Gamache’s friend and neighbor’s husband fails to show up for a date on the one year anniversary of their separation she wants to know why. The search for his whereabouts leads Gamache from Paris, to Italy, to the recluse reaches of wilderness Canada, where the estranged husband has gone to redeem himself.
Penny paces her mystery. She takes the reader on circuitous paths that develop characters and enriches the overall ambiance of the story. By the end we are as fond of the isolated community of Three Pines, where Gamache lives, as the characters directly connected with the mystery. Fear not, however, as Inspector Gamaches’ patience and understanding of human psychology prevail to unravel the mystery.
Louise Penny Writes with Style
Once again I enjoyed Penny’s mystery. She writes in third person omniscient, developing the plot with care and paying attention to the details.
I didn’t like the end of The Long Way Home. It was too expected–although perhaps necessary in order to remain within the mystery genre’s expectation.
For those interested in writing: Take a look at Penny’s use of sentence fragments. She builds paragraphs on incomplete sentences that create images with the least amount of words. Penny uses this style to its fullest effect in her later novels.
Point-of-view shifts often, sometimes for only a short period of time. This technique builds rapport with multiple characters.
Although Penny breaks some of the rules teachers advocate these days, her fragmented sentences and word choices create a familiar atmosphere appropriate for the caring Inspector Gamache.The Long Way Home (Chief Inspector Armand Gamache, #10) by Louise Penny
Published by Minotaur Books on August 26th 2014
Genres: Contemporary, Mystery
Happily retired in the village of Three Pines, Armand Gamache, former Chief Inspector of Homicide with the Sûreté du Québec, has found a peace he’d only imagined possible. On warm summer mornings he sits on a bench holding a small book, The Balm in Gilead, in his large hands. "There is a balm in Gilead," his neighbor Clara Morrow reads from the dust jacket, "to make the wounded whole."
While Gamache doesn’t talk about his wounds and his balm, Clara tells him about hers. Peter, her artist husband, has failed to come home. Failed to show up as promised on the first anniversary of their separation. She wants Gamache’s help to find him. Having finally found sanctuary, Gamache feels a near revulsion at the thought of leaving Three Pines. "There’s power enough in Heaven," he finishes the quote as he contemplates the quiet village, "to cure a sin-sick soul." And then he gets up. And joins her.
Together with his former second-in-command, Jean-Guy Beauvoir, and Myrna Landers, they journey deeper and deeper into Québec. And deeper and deeper into the soul of Peter Morrow. A man so desperate to recapture his fame as an artist, he would sell that soul. And may have. The journey takes them further and further from Three Pines, to the very mouth of the great St. Lawrence river. To an area so desolate, so damned, the first mariners called it The land God gave to Cain. And there they discover the terrible damage done by a sin-sick soul.