C. J. Redwine writes with all the ingredients of her craft. She assembles protagonist, antagonist, helpers and obstacles with characters who grow within the telling.
The princess is a fun, food centric, tomboy, who’d rather not have become a princess. When her brother signs a contract with the Wish Granter, his life and kingdom are threatened. Princess Ari decides to save all, but it isn’t easy against one of the most powerful fairies alive.
I loved the food centric bits of the story. They make Ari personable, someone I’d like to know. It’s also refreshing to have an over-weight heroine, that’s compelling in all aspects of her personality.
Can use of POV thwart interest?
Redwine use of point-of-view (POV) interested me. Writing in first person point-of-view (POV) from multiple characters proves effective in many novel. In The Wish Granter I questioned one perspective.
The story starts with Princess Ari’s POV, who introduces setting, challenges and primary characters. Toward the middle, the young weapon’s maker, Sebastian, becomes vital and his POV becomes more relevant. He introduces the reader to aspects of the world Princess Ari is not privy.
Andrews also choses to include the antagonists POV. Coincidentally, shortly after those sections, my interest in the story floundered. I didn’t care as much about Ari and Sebastion. Fortunately, I returned reading, but I wonder whether adding the protagonist’s POV, in this case, interfered with my commitment to Ari and Sebastian, hence my commitment to the novel at that point.
I particularly liked how Redwine inferred the next chapter’s POV in the wind-up of previous chapters. Although the references are often oblique, for me, they effectively set my subconscious up for the change in POV. As a writer this is worth noting.
C. J. Redwine’s attention to the craft
Redwine has a fondness for double alliterations. Rhetorical devices of this nature lighten the read and help drive descriptions forward. She uses anaphora (repeating words at the beginning of sentences), epistrophe (repeating words at the end of sentences), anadiplosis (repeating words at the end of one sentence and the beginning of the next), and the use of structural parallelism (to enhance the cadence of paragraphs) all freely.
A twist in the plot around page fifty, ramps up the tension. Andrew’s attention to full character development, in all aspects of their lives, brings new interest to this old fairy tale.The Wish Granter (Ravenspire, #2) by C.J. Redwine
Series: , ,
Published by Balzer + Bray on February 14th 2017
Genres: Fantasy, Romance, Young Adult
An epic, romantic, and action-packed fantasy inspired by the tale of Rumpelstiltskin, about a bastard princess who must take on an evil fae to save her brother’s soul, from C. J. Redwine, the New York Times bestselling author of The Shadow Queen. Perfect for fans of Graceling and the Lunar Chronicles.
The world has turned upside down for Thad and Ari Glavan, the bastard twins of Súndraille’s king. Their mother was murdered. The royal family died mysteriously. And now Thad sits on the throne of a kingdom whose streets are suddenly overrun with violence he can’t stop.
Growing up ignored by the nobility, Ari never wanted to be a proper princess. And when Thad suddenly starts training Ari to take his place, she realizes that her brother’s ascension to the throne wasn’t fate. It was the work of a Wish Granter named Alistair Teague who tricked Thad into wishing away both the safety of his people and his soul in exchange for the crown.
So Ari recruits the help of Thad’s enigmatic new weapons master, Sebastian Vaughn, to teach her how to fight Teague. With secret ties to Teague’s criminal empire, Sebastian might just hold the key to discovering Alistair’s weaknesses, saving Ari’s brother—and herself.
But Teague is ruthless and more than ready to destroy anyone who dares stand in his way—and now he has his sights set on the princess. And if Ari can’t outwit him, she’ll lose Sebastian, her brother…and her soul.